Jenny Rae Rappaport
Some foreign rights deals for your perusal and public record. =)


July 27, 2009



Foreign rights:
Fiction

Portuguese rights to Nathalie Mallet's THE PRINCES OF THE GOLDEN CAGE, to Grupo Saida de Emergencia, by Jenny Rappaport of the Rappaport Agency, in association with Montse Yanez of the Julio F-Yanez Agency.
July 27, 2009



Foreign rights:
Fiction

Spanish rights to John Joseph Adams's THE LIVING DEAD anthology, to Minotauro, by Jenny Rappaport of the Rappaport Agency, in association with Montse Yanez of the Julio F-Yanez Agency.
July 27, 2009



Foreign rights:
Fiction

Korean rights to John Joseph Adams's WASTELANDS anthology, to Goldenbough Publishing Company, by Jenny Rappaport of the Rappaport Agency on behalf of the L. Perkins Agency, in association with Alex Lee of the Shinwon Agency.
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Jenny Rae Rappaport
I don't normally post a lot of pictures, but I took this on the plane ride back from Wiscon and I think it came out beautifully.

Jenny Rae Rappaport
It has been way, way too long without any cat pictures here!

Zoe missed me so much when I was gone for the six weeks of Odyssey. I came home, and she purred so hard that she literally vibrated. I missed her too. =)

These pictures was taken in mid-April, right after we had gotten new bedroom furniture and were putting shelf paper in it. Notice that she's actually inside the sliding drawer part of the armoire... she had great fun putting herself there.


Ignore the evil glowing eyes in this one; she really does have yellow eyes and I'm too lazy to fix this right now.

Jenny Rae Rappaport
I'm hitting Montreal in a little less than two weeks for Worldcon! I have a programming schedule too, which I'll be pasting here. If you want to talk to me, just find me at the con. I'll be at the parties every night too. =)

I'll also be helping out at www.conreporter.com, where a lot of other great people will be helping you share Worldcon too! (They have to put up my picture and bio because I just sent it in now.)

Worldcon Schedule

Thursday:

When: 12:30 pm
Location: P-512AE
Title: Author Reading
Session ID: 223
All Participants: Jenny Rae Rappaport, Alma Alexander
Language: English
Track: Reading

When: 2:00 pm
Location: P-513B
Title: Twitter, Facebook, My Space: Social Media and Writing
Session ID: 766
All Participants: James Strauss, Jenny Rae Rappaport, Mary Robinette
Kowal, Walter Jon Williams, John Picacio
Description: What’s all the buzz about the new social media? Writing
short-short-short stories on Twitter??? Good grief! Is this networking
or a new way to write? Can tweets and Facebook updates be about more
than what you ate?
Language: English
Track: Creative Writing

Friday:

When: 10:00 am
Location: P-512BF
Title: What Fans don't Understand about Publishing 1
Session ID: 487
All Participants: David Hartwell, Jenny Rae Rappaport, John A. Pitts,
Sean Wallace, Gardner Dozois
Language: English
Track: Human Culture

When: 1:00 pm
Location: D-Royer
Title: Writing Workshop K
Session ID: 682
All Participants: David D. Levine, Jenny Rae Rappaport
Description: Critique session for previously submitted manuscripts
Language: English
Track: Creative Writing


When: 7:00 pm
Location: P-511CF
Title: Studio Ghibli and Fantasy
Session ID: 261
All Participants: Jenny Rae Rappaport, Jessica Langer, L. Jagi
Lamplighter, Josianne Morel
Description: Why was “Howl's Moving Castle” a success and “Earthsea”
such a failure as an adaptation? Do certain works lend themselves to
anime? Did something get lost in the translation?
Language: English
Track: Media

When: 9:00 pm
Location: P-522B
Title: Advice for New Writers: Experienced Professionals Tell the
Secrets of Getting Published
Session ID: 764
All Participants: Jenny Rae Rappaport, Lou Anders, Walter Jon
Williams, Stanley Schmidt
Description: How to get published (not). In a liar’s panel, these
professional writers, editor and agent give a lot of advice. But maybe
new writers should be careful about taking it literally.
Language: English
Track: Creative Writing

Saturday:

When: 9:00 pm
Location: P-522B
Title: The Poetry Slam: Free Verse or Structured
Session ID: 746
All Participants: Camille Alexa, Elaine Isaak, Elissa Malcohn,
Geoffrey A. Landis, Jennifer Williams, Jenny Rae Rappaport, Mary
Turzillo, Richard Chwedyk, Sonya Taaffe
Description: Open mike competition: Panelists compete in a series of
readings of their poems in the coveted Worldcon Slam title bout.
Language: English
Track: Creative Writing

Sunday:

When: 12:30 pm
Location: P-511A
Title: Writing Racial and Ethnic Diversity in Geographic Terms
Session ID: 522
All Participants: Jenny Rae Rappaport, Kate Nepveu, L. Jagi
Lamplighter, Phoebe Wray, Jamie Nesbitt Golden, Tobias Buckell
Moderator: Kate Nepveu
Description: What should writers know when writing about geographic
distribution of racial and ethnic groups in the U.S. or other
countries? How have discrimination, segregation, migrations, and class
contributed to the geographic patterns seen today? If doing
near-future or future worldbuilding, what factors should writers
consider in their extrapolations?
Language: English
Track: Literature in English
Jenny Rae Rappaport
I'm home from Odyssey! Regular business and blog posts will resume on July 20th. I'll also be tackling the minor backlog of Book Blocks, and doing at least one or two posts explaining why exactly I went to Odyssey.

In the meantime, please hop over to my client, Dave Williams, and leave your condolences on the death of his cat, Spartacus. Dave is one of the nicest people I know, and he's devastated at losing Spartacus just before his first birthday. Spartacus was his very first cat; for him to have contracted FIP as a kitten was just incredibly rotten luck. Go say something nice, please.
Jenny Rae Rappaport
Tomorrow is our last day of Odyssey and while I am both sad and happy to be leaving... I'm glad it's over. =) It's been a very, very busy six weeks.

And i get to come home and dive into agenting work on Monday. Yay!

But the best part is I see Chris tomorrow and Zoe on Saturday. My life, it will be complete. =)

What has everyone else been up to this summer? Tell me about it!
Jenny Rae Rappaport
Just got back from the start of the last week of Odyssey and heard about Charles Brown.

Locus has a piece here.

He was the reason I started reading Locus--his editorials were witty and well-informed. I looked forward to them every month because I was interested in what he was reading and what operas he was seeing. I liked reading about him meeting with the authors and editors who came to the Locus offices to be interviewed.

I only met him once, at a party at the 2006 Worldcon in Anaheim. He was very kind to me, talked to me for a bit, and didn't seem to mind that I was a little fledgling agent. He always seemed to me like the kindly grandfather of my sci-fi magazine. I shall miss him and his editorials.
Jenny Rae Rappaport

Happy belated release day to LIBYRINTH, which is the wonderful debut novel from my client, Pearl North. I could tell you how incredibly good this novel is,but I thought it'd be better to let the critical reviews speak for themselves. Suffice it to say, this is the novel I would want my daughters to read instead of TWILIGHT. If I had teenage daughters, that is. =)

Reviews start here!

Publisher's Weekly, July 6, 2009:

Libyrinth Pearl North. Tor Teen, $17.95 (336p) ISBN 978-0-7653-2096-4

In this complex and rewarding novel set on a decaying, far-future colonial world that barely remembers Earth, Haly is an apprentice Libyrarian, dedicated to protecting the countless books housed in the enormous and decrepit maze known as the Libyrinth. Opposed to her order are the Eradicants, a powerful civilization that defines books as evil. When Haly—who has the ability to hear the contents of books, letters and other pieces of writing without reading them—learns that the Eradicants have discovered the location of the near-mythical tome, The Book of the Night, which “held the secrets of the Ancients, all of their machines and miracles,” she sets off to recover it and save her society. Among this novel's pleasures are the many anonymous quotations scattered throughout, snatches of prose that Haly hears as she goes about her chores, from such sources as Anne Frank's The Diary of a Young Girl, Charlotte's Web and Fahrenheit 451, all of which are carefully identified at the end. The complex moral issues posed by this thoughtful and exciting tale are just as fascinating. Ages 13–up. (July)

From Booklist:

Libyrinth.

North, Pearl (author).

July 2009. 336p. Tor, hardcover, $17.95 (9780765320964). Grades 8-11.

REVIEW. First published June 17, 2009 (Booklist Online).

Haly, clerk to the Libyrarian Selene, can hear books. As the Libyrarians care for and study the books in the Libyrinth, the Eradicants uphold their belief that books are evil by burning them, and Haly experiences both great joy and terrible sorrow in the books’ living and dying voices. In an Earth-based future where those who protect the books of the Ancients are at war with those who believe they should be destroyed, Haly holds firmly with the Libyrarians until she sets off with Selene and her friend, Clauda, to save a very important book and finds things are not quite as they seem—including her own identity and purpose. Although rough in spots and a bit too tidy in the wrap-up, this is a complex and imaginative tale for sophisticated readers who enjoy fantasy and science fiction. An interesting twist on the themes of societal opposition and integration, and perhaps an intriguing companion to Ray Bradbury’s Fahrenheit 451.

From Kirkus (and it's good too!):

LIBYRINTH
Author: North, Pearl

Review Date: JUNE 15, 2009
Publisher:Tor
Pages: 336
Price (hardback): $17.95
Publication Date: 7/1/2009 0:00:00
ISBN: 978-0-7653-2096-4
ISBN (hardback): 978-0-7653-2096-4
Category: CHILDREN'S
This complex novel depicts the final conflict between major subcultures of an Earth colony long divorced from its origins. Fifteen-year-olds Haly and Clauda and their slightly older companion Selene pursue the long-lost Book of the Night hoping to provide redemption for their deeply divided society. The novel combines many science-fiction tropes—the quest, dystopian governments, degenerated society—into a clever, original story. The page-turner plot and themes of the abuses of authority, the nature of prejudice and the power of the written word provide the primary focus. The main characters, all strong, individualized young women, are convincingly drawn, but some of the secondary cast are hard to differentiate. Who cares? The dramatic, satisfying climax and deftly handled resolution of the many plot threads will convince and exhilarate readers. Some mature language and frank discussions of sexual relations (though no descriptions) will age this up. Give it to readers of William Nicholson's books, the His Dark Materials trilogy and teens who loved The Giver. A bibliographic "Guide to Quotations" nicely wraps up this book-lover's delight. (Science fiction. 12-15)

LIBYRINTH is available at many fine bookstores near you, and you can also purchase it online at Amazon.

Jenny Rae Rappaport
...of rain. Everlasting, blasted rain. Welcome to New Hampshire this year. Welcome to Odyssey.

It rains. A lot. So much rain. We have had three days without rain since I arrived on June 6th.

It's the morning of July 3, 2009, and I'm writing this while wearing flannel pajama pants, fleece socks, and a heavy sweatshirt because my window fan registers the temperature at 59 degrees. Have I mentioned that we have no heating in the dorms where we're living? It is July and I'm dressed like this.

I'd almost imagine that I'm in some sort of post-apocalyptic world, but I'm told that other parts of the country have sun. Seattle, for instance. And NYC seems to be in a rare tropical period, where it's sunny and humid, then pouring rain, then sunny again. But at least it's warmer than it is here. It gets to 75 or 80 degrees some days, but only for a few hours at a time. I may freeze to death before this workshop is done.

And how is the weather by you guys? Do you have summer, yet?

(Yes, really, I just wrote an entire blog post complaining about the weather, but it is seriously putrid here most days.)